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	<title>Jack Kerouac Writer in Residence Program of Orlando</title>
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	<link>http://kerouacproject.org</link>
	<description>The Jack Kerouac Writer in Residence Project of Orlando offers free room and board to writers</description>
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		<title>Kerouac Writers in Residence for 2013-2014</title>
		<link>http://kerouacproject.org/kerouac-writers-in-residence-for-2013-2014/</link>
		<comments>http://kerouacproject.org/kerouac-writers-in-residence-for-2013-2014/#comments</comments>
		<pubDate>Wed, 22 May 2013 13:43:18 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[News & Events]]></category>

		<guid isPermaLink="false">http://kerouacproject.org/?p=686</guid>
		<description><![CDATA[Thank you to everyone who submitted writing samples to the Kerouac Project for the 2013-2014 seasons. There was a great response with many wonderful applications. Thank you for supporting the Kerouac Project and we look forward to welcoming the coming year of writers to the Kerouac House! These are 2013-2014 Writers and their Alternates. Fall [...]]]></description>
				<content:encoded><![CDATA[<p>Thank you to everyone who submitted writing samples to the Kerouac Project for the 2013-2014 seasons.  There was a great response with many wonderful applications.  Thank you for supporting the Kerouac Project and we look forward to welcoming the coming year of writers to the Kerouac House! </p>
<p>These are 2013-2014 Writers and their Alternates.</p>
<p><strong>Fall 2013</strong> Caroline Walker<br />
             Natalie van Hoose &#8211; Alternate </p>
<p><strong>Winter 2014</strong> Sion Dayson<br />
              Melinda Moustakis &#8211; Alternate</p>
<p><strong>Spring 2014 </strong> Anzhelina Polonskaya<br />
              Josh Kalscheur &#8211; Alternate</p>
<p><strong>Summer 2014</strong> Maya Sloan<br />
               Mariko Nagai &#8211; Alternate</p>
]]></content:encoded>
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		<title>Welcome Monica Wendel</title>
		<link>http://kerouacproject.org/welcome-monica-wendel/</link>
		<comments>http://kerouacproject.org/welcome-monica-wendel/#comments</comments>
		<pubDate>Mon, 11 Mar 2013 14:32:12 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[News & Events]]></category>

		<guid isPermaLink="false">http://kerouacproject.org/?p=646</guid>
		<description><![CDATA[The Kerouac House is proud to welcome Monica Wendel to Central Florida. Monica is a Brooklyn based poet with an MFA from NYU&#8217;s Creative Writing Program and the author of the chapbook, Call it a Window. Her work has appeared in Spoon River Poetry Review, Drunken Boat, Bellevue Literary Review, and other journals. To find [...]]]></description>
				<content:encoded><![CDATA[<p>The Kerouac House is proud to welcome Monica Wendel to Central Florida. <a href="http://kerouacproject.org/author/monica/">Monica</a> is a Brooklyn based poet with an MFA from NYU&#8217;s Creative Writing Program and the author of the chapbook, <i>Call it a Window</i>. Her work has appeared in <em>Spoon River Poetry Review, Drunken Boat, Bellevue Literary Review</em>, and other journals.  To find out more about Monica, visit <a href="http://noideasbut.tumblr.com/" title="Tumblr">No ideas but in things</a>. She&#8217;ll be with us all spring.</p>
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		<item>
		<title>[I fall asleep drunk and dream of Lee Harvey Oswald]</title>
		<link>http://kerouacproject.org/i-fall-asleep-drunk/</link>
		<comments>http://kerouacproject.org/i-fall-asleep-drunk/#comments</comments>
		<pubDate>Mon, 11 Mar 2013 13:40:01 +0000</pubDate>
		<dc:creator>Monica Wendel</dc:creator>
				<category><![CDATA[Writings]]></category>

		<guid isPermaLink="false">http://kerouacproject.org/?p=643</guid>
		<description><![CDATA[I fall asleep drunk and dream of Lee Harvey Oswald – in the dream, I’m his wife, the one he beats, and we have a baby who knows how to open doors. He’s not faithful. He has sex with a schoolteacher on the front seats of our car, and when she gets out, it’s raining. [...]]]></description>
				<content:encoded><![CDATA[<p>I fall asleep drunk and dream of Lee Harvey Oswald –<br />
in the dream, I’m his wife, the one he beats,<br />
and we have a baby who knows how to open doors.<br />
He’s not faithful. He has sex with a schoolteacher on the front seats of our car, and when she gets out, it’s raining. The rain<br />
is a sheet over the front steps, puddles on the walkway,<br />
but something pink or red floats on top. Petals?<br />
He’s going to kill her and I wake up. When I remember the dream<br />
I wonder if someone I’m having sex with is going to kill me.<br />
I remember sitting at the window in the apartment in Baltimore<br />
icing my wrist and face and how guilty it felt,<br />
that I hadn’t made it work. The summer of cicadas.<br />
Their bodies three deep. I can’t tell if I’m still that woman.<br />
I can’t tell if it’s going to happen again.</p>
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		<item>
		<title>Kerouac House Welcomes Michael Rands</title>
		<link>http://kerouacproject.org/kerouac-house-welcomes-michael-rands/</link>
		<comments>http://kerouacproject.org/kerouac-house-welcomes-michael-rands/#comments</comments>
		<pubDate>Wed, 05 Dec 2012 21:46:52 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[News & Events]]></category>

		<guid isPermaLink="false">http://kerouacproject.org/?p=618</guid>
		<description><![CDATA[Michael hails from Johannesburg via Japan. He&#8217;ll be working on his novel, As Dark As It Gets while staying out the house. Join us in welcoming Mr. Rands as our winter writer for 2012-13. See our FB postings for the latest going-ons. And see more of Michael here.]]></description>
				<content:encoded><![CDATA[<p>Michael hails from Johannesburg via Japan. He&#8217;ll be working on his novel, <em>As Dark As It Gets</em> while staying out the house. Join us in welcoming Mr. Rands as our winter writer for 2012-13. See our <a href="http://www.facebook.com/KerouacProject">FB postings</a> for the latest going-ons. And see more of Michael <a href="http://kerouacproject.org/author/michaelrands/">here</a>.</p>
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		<item>
		<title>An Excerpt from As Dark As It Gets</title>
		<link>http://kerouacproject.org/an-excerpt-from-as-dark-as-it-gets/</link>
		<comments>http://kerouacproject.org/an-excerpt-from-as-dark-as-it-gets/#comments</comments>
		<pubDate>Wed, 05 Dec 2012 17:19:51 +0000</pubDate>
		<dc:creator>michaelrands</dc:creator>
				<category><![CDATA[Writings]]></category>

		<guid isPermaLink="false">http://kerouacproject.org/?p=611</guid>
		<description><![CDATA[I’ve done many things in my life, but I’ve never stolen an umbrella. They say there’re only two things we Japanese steal… bicycles being the other. The doctor told me I’d be able to ride one in two weeks, but I didn’t want to get tied up in that racket. When I woke that morning [...]]]></description>
				<content:encoded><![CDATA[<p>I’ve done many things in my life, but I’ve never stolen an umbrella. They say there’re only two things we Japanese steal… bicycles being the other. The doctor told me I’d be able to ride one in two weeks, but I didn’t want to get tied up in that racket. When I woke that morning to find myself alive, I climbed from bed without thinking and set off an alarm. The nurse found me leaning against the window. The shipyard had never looked so beautiful. She told me to climb into bed, but I refused. ‘Where’s the doctor?’ I said, and in came a totally different man. ‘Where’s my doctor?’</p>
<p>‘I am your doctor’ he said, and pointed at the bed like he was instructing a dog into its basket.</p>
<p>‘You’re the reason I’m alive?’</p>
<p>&#8216;You were never in danger of dying’ he said, and took a clipboard from the end of my bed. </p>
<p>The ascending artery was being held open by a metal spring, successfully inserted by the skilled doctor who was nowhere to be seen. I was just saying yes, yes, yes, in my head the whole time this man was speaking. I was supposed to be dead. I’d already come close to making peace with it. A bright day outside when they let me go, just a few small clouds. I thought I might float off into the sky and that’s when I pulled an umbrella from the stand. There’s nothing more life affirming than umbrella theft! If I’m alive it may rain on my head. And you may be dead and won’t need it. It’s just a game of chance isn’t it? But chance kept me alive and I’m choosing to take the umbrella for myself! </p>
<p>Down the street I wondered, how long have I got? Twenty years? Thirty even, they’d said. That’s the same as saying forever. And also the same as saying it ends tomorrow. I kept stopping and feeling my chest. I paused at the main street and looked at the yatais all folded up. That was me, I thought. Folded up. But just like the yatais are each night, I’ve been unfolded. I’ll live to drink again and Chihiro had promised to come see me. Was this really my life? For one moment I thought I heard someone shouting my name. I imagined feet and running. ‘Umbrella thief! Stop!’ But it was nothing. Or maybe it was the train crossing the old bridge or the tide going out. Everything seemed white, and I stopped on the street outside my apartment. I opened the umbrella. I didn’t care anymore if anyone saw me. I’d just say it was mine. It was mine! It’s mine, I said out loud. In the shade I could see the ground more clearly and I walked up and down searching for that coin that my angel had thrown from the window. Was I alive because of that? The doctor had asked me if I was superstitious, but this went beyond that. Really, it did. I could smell that fresh hair of hers. So young, my old heart went racing. I touched my neck, looked everywhere, even down the storm drains. It was gone! There’d been no rain since yesterday. Someone else must have chosen to take it just like I had chosen to steal this umbrella. </p>
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		<item>
		<title>Welcome Caitlin O&#8217;Sullivan</title>
		<link>http://kerouacproject.org/welcome-caitlin-osullivan/</link>
		<comments>http://kerouacproject.org/welcome-caitlin-osullivan/#comments</comments>
		<pubDate>Wed, 05 Sep 2012 00:55:55 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[News & Events]]></category>

		<guid isPermaLink="false">http://kerouacproject.org/?p=586</guid>
		<description><![CDATA[Caitlin O&#8217;Sullivan has landed for this year&#8217;s fall selection. She is currently working on The Kiss-Off, a historical novel about a small waitress in 1931. She is also the publisher of the literary monthly Postcard Press and seems to know her way around a sub-machine gun. Welcome to town, Caitlin!]]></description>
				<content:encoded><![CDATA[<p>Caitlin O&#8217;Sullivan has landed for this year&#8217;s fall selection. She is currently working on <em>The Kiss-Off</em>,  a historical novel about a small waitress in 1931. She is also the publisher of the literary monthly <a href="http://the-postcard-press.com/">Postcard Press</a> and seems to know her way around a <a href="http://caitlinosullivan.com/about/">sub-machine gun</a>. Welcome to town, Caitlin!</p>
]]></content:encoded>
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		<title>From The Kiss-Off</title>
		<link>http://kerouacproject.org/from-the-kiss-off/</link>
		<comments>http://kerouacproject.org/from-the-kiss-off/#comments</comments>
		<pubDate>Wed, 05 Sep 2012 00:24:28 +0000</pubDate>
		<dc:creator>Caitlin O'Sullivan</dc:creator>
				<category><![CDATA[Writings]]></category>

		<guid isPermaLink="false">http://kerouacproject.org/?p=581</guid>
		<description><![CDATA[Dorrie’s eyes flicked over the barn, the trees, the house. Her father had planted the trees to give the house shade; now they were tall, almost as tall as the house itself. He would have liked seeing them so tall. If you were here. Her shoulders slumped. You could worry about Mother. You could make [...]]]></description>
				<content:encoded><![CDATA[<p>Dorrie’s eyes flicked over the barn, the trees, the house. Her father had planted the trees to give the house shade; now they were tall, almost as tall as the house itself. He would have liked seeing them so tall.</p>
<p><em>If you were here.</em> Her shoulders slumped. <em>You could worry about Mother. You could make sure she eats. You could figure out how to make money. You could figure out how to put gas in the car.</em></p>
<p>She closed her eyes, and was conscious, for the first time, of all she had taken on her shoulders. <em>It’s not fair!</em> some part of her cried, and was silenced by the part of her that had shouldered those burdens in the first place. <em>Fair or unfair isn’t the choice</em>, it said. <em>It’s family or nothing.</em></p>
<p>She opened her eyes again and retrieved her hat, then crossed the yard and went inside. The kitchen was dim. She crossed to the stairs and climbed without turning a light on, and halfway up, she heard something fall in the attic. She stopped mid-step.</p>
<p><em>The God damned raccoon.</em> So now it was reorganizing the attic to make itself more comfortable? Well, that would stop. It was stopping right now.</p>
<p>She turned around and went down the stairs, dropping her hat and purse on the kitchen table before kneeling to open the cabinet nearest the door. It held odds and ends of her father’s things: his pliers, his ball of twine, his liniment, his spare pipe tobacco. She breathed in the smell of him for a moment before reaching for the big aluminum flashlight he used when he went out to the barn at night. She turned it on and light came out, orangey instead of yellow but strong enough for her purposes. Something clattered in the cabinet; she reached in and picked up the hammer that had fallen, then, instead of putting it back, she hefted it. The wooden handle was dark where her father had gripped it.</p>
<p><em>Put it away</em>, she told herself. <em>You don’t need it.</em></p>
<p>But her arm would not move to replace it in the cabinet. She stared at the dark iron head; the shiny face with its faint, crescent-shaped dents. She lifted it, and felt again the strangely satisfying heaviness of it.</p>
<p>Something hot and angry was churning in her stomach. She told herself it was logical to take the hammer up to the attic, but something deep inside her, so deep that it was almost beyondthe reach of words, spoke in an ugly voice: <em>He wouldn’t have insulted your mother if you’d had the hammer in your hand. He wouldn’t have pushed you if you’d had the hammer in your hand. They’d mind their tongues. They’d mind you.</em></p>
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		<title>A Wild Flaw Amongst Us</title>
		<link>http://kerouacproject.org/a-wild-flaw-amongst-us/</link>
		<comments>http://kerouacproject.org/a-wild-flaw-amongst-us/#comments</comments>
		<pubDate>Mon, 11 Jun 2012 16:37:27 +0000</pubDate>
		<dc:creator>Christopher Watkins</dc:creator>
				<category><![CDATA[Writings]]></category>

		<guid isPermaLink="false">http://kerouacproject.org/?p=579</guid>
		<description><![CDATA[What can you think about a world where a man builds a dungeon underneath his home and traps his daughter there for nearly twenty years, raping her repeatedly to the tune of seven children, three of whom have never seen the sun? — We have bred our kind into aberration; too many people in too [...]]]></description>
				<content:encoded><![CDATA[<p>What can you think about a world<br />
where a man builds a dungeon underneath his home<br />
and traps his daughter there for nearly twenty years,<br />
raping her repeatedly to the tune of seven children,<br />
three of whom have never seen the sun?</p>
<p>—</p>
<p>We have bred our kind into aberration;<br />
too many people in too many closed communities;<br />
too much medicine to keep the babies coming, cure the cancers,<br />
keep the suicides from trying;<br />
too much poison in the animals we glut on.<br />
There is a wild flaw loose amongst us,<br />
amongst our fragile gene pool.<br />
How many in a hundred now<br />
will dine upon their neighbors,<br />
defecate upon a corpse of their own making?</p>
<p>—</p>
<p>Am I really saying<br />
Josef Fritzl, Andrea Curry-Demus, Jeffrey Dahmer, Joseph Edward Duncan,<br />
and all of the others come to us<br />
because of Oscar Meyer<br />
and Clomiphene?</p>
<p>—</p>
<p>Yes. Yes I am.</p>
]]></content:encoded>
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		<item>
		<title>Hello Chloe</title>
		<link>http://kerouacproject.org/hello-chloe/</link>
		<comments>http://kerouacproject.org/hello-chloe/#comments</comments>
		<pubDate>Tue, 05 Jun 2012 15:05:10 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[News & Events]]></category>

		<guid isPermaLink="false">http://kerouacproject.org/?p=571</guid>
		<description><![CDATA[A warm Orlando welcome to Chloe Honum, the Kerouac Writer in Residence for the summer of 2012. Chloe is currently living in Texas where she&#8217;s completing her Ph.D. in English and creative writing and working on her first collection of poems, The Tulip Flame. Make sure to friend us on Facebook for updates on Chloe [...]]]></description>
				<content:encoded><![CDATA[<p>A warm Orlando welcome to <a href="http://kerouacproject.org/author/chloe/">Chloe Honum</a>, the Kerouac Writer in Residence for the summer of 2012. Chloe is currently living in Texas where she&#8217;s completing her Ph.D. in English and creative writing and working on her first collection of poems, <em>The Tulip Flame</em>.  Make sure to friend us on <a href="http://www.facebook.com/KerouacProject">Facebook</a> for updates on Chloe and the Kerouac Project this summer.</p>
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		<item>
		<title>The Tulip-Flame</title>
		<link>http://kerouacproject.org/the-tulip-flame/</link>
		<comments>http://kerouacproject.org/the-tulip-flame/#comments</comments>
		<pubDate>Tue, 05 Jun 2012 14:23:41 +0000</pubDate>
		<dc:creator>chloe</dc:creator>
				<category><![CDATA[Writings]]></category>

		<guid isPermaLink="false">http://kerouacproject.org/?p=569</guid>
		<description><![CDATA[My sister’s painting this: a hill, a lane that winds around the hill, and a wide field of tulips with a centered tulip-flame. She rolls her brush through gray and adds the rain in tiny flicks, glinting arrows of cold. My sister’s painting this: a hill, a lane. Last year our mother died, as was [...]]]></description>
				<content:encoded><![CDATA[<p>My sister’s painting this: a hill, a lane<br />
that winds around the hill, and a wide field<br />
of tulips with a centered tulip-flame.</p>
<p>She rolls her brush through gray and adds the rain<br />
in tiny flicks, glinting arrows of cold.<br />
My sister’s painting this: a hill, a lane.</p>
<p>Last year our mother died, as was her plan.<br />
It’s simpler to imagine something could<br />
have intervened. The centered tulip-flame</p>
<p>startles the scene; the surrounding ones are plain<br />
pastels, while this one’s lit with a crimson fold.<br />
My sister’s painting this: a hill, a lane</p>
<p>of cobblestones, a watery terrain<br />
of dripping flowers. Her strokes, elsewhere controlled,<br />
flare out and fray around the tulip-flame</p>
<p>as if it were an accident, a stain,<br />
a blaze in the mid-point of a wet field.<br />
My sister’s painting this: a hill, a lane,<br />
a tulip field, and one astounding flame.</p>
<p><em>originally published in Shenandoah</em></p>
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